Add poetry collection: 3,155 poems from 15 Gutenberg sources

New files:
- download_poetry.py: Download/parse script with 15 extractors
- poetry/*.json: Pre-parsed poetry from Project Gutenberg

Poets included:
  Shakespeare (154), Dickinson (439), Whitman (383),
  Blake (43), Keats (10), Poe (108), E.B. Browning (44),
  T.S. Eliot (5), Frost (82), Yeats (48), Khayyam (176),
  Burns (563), Wordsworth (51), Shelley (1049)

Co-authored-by: Copilot <223556219+Copilot@users.noreply.github.com>
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Ibraheem Saleh 1 week ago
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# letters # letters & poetry
A Python app that displays random historic love letters from authentic sources, downloaded from [Project Gutenberg](https://www.gutenberg.org/). Python apps that display random historic love letters and classic poetry from [Project Gutenberg](https://www.gutenberg.org/). Includes a web UI for both at [hicalsoft.com/letters](https://hicalsoft.com/letters) and [hicalsoft.com/poetry](https://hicalsoft.com/poetry).
## Quick Start ## Quick Start
```bash ```bash
# Love Letters
python3 love_letters.py # Show a random love letter python3 love_letters.py # Show a random love letter
python3 love_letters.py -n 3 # Show 3 random love letters python3 love_letters.py -n 3 # Show 3 random love letters
python3 love_letters.py --list # List available collections python3 love_letters.py --list # List available collections
python3 love_letters.py --source keats_brawne # Filter by source python3 love_letters.py --source keats_brawne # Filter by source
``` ```
The `letters/` directory ships with 1,300+ pre-parsed letters — no download needed. The `letters/` directory ships with 1,300+ pre-parsed letters and `poetry/` with 3,100+ poems — no download needed.
## Refreshing / Adding Sources ## Refreshing / Adding Sources
To re-download all letter collections from Project Gutenberg: To re-download collections from Project Gutenberg:
```bash ```bash
python3 download_letters.py # Download (skips existing) # Letters
python3 download_letters.py --force # Re-download everything python3 download_letters.py # Download all letter sources
python3 download_letters.py --list # List available sources python3 download_letters.py --list # List available sources
# Poetry
python3 download_poetry.py # Download all poetry sources
python3 download_poetry.py --list # List available sources
``` ```
## Sources ## Letter Sources
| Collection | Author → Recipient | Period | Letters | | Collection | Author → Recipient | Period | Letters |
|---|---|---|---| |---|---|---|---|
@ -39,8 +44,34 @@ python3 download_letters.py --list # List available sources
| Beethoven's Letters (love letters selected) | Ludwig van Beethoven | 17901826 | 30 | | Beethoven's Letters (love letters selected) | Ludwig van Beethoven | 17901826 | 30 |
| Mozart's Letters (love letters selected) | Wolfgang Amadeus Mozart | 17691791 | 60 | | Mozart's Letters (love letters selected) | Wolfgang Amadeus Mozart | 17691791 | 60 |
## Poetry Sources
| Collection | Poet | Period | Poems |
|---|---|---|---|
| Shakespeare's Sonnets | William Shakespeare | 1609 | 154 |
| Poems, Three Series | Emily Dickinson | 18901896 | 439 |
| Leaves of Grass | Walt Whitman | 18911892 | 383 |
| Songs of Innocence and of Experience | William Blake | 17891794 | 43 |
| Poems Published in 1820 | John Keats | 1820 | 10 |
| Complete Poetical Works | Edgar Allan Poe | 18271849 | 108 |
| Sonnets from the Portuguese | Elizabeth Barrett Browning | 1850 | 44 |
| The Waste Land | T.S. Eliot | 1922 | 5 |
| Mountain Interval | Robert Frost | 1916 | 35 |
| Selected Poems | Robert Frost | 19131916 | 47 |
| The Wind Among the Reeds | W.B. Yeats | 1899 | 48 |
| The Rubaiyat of Omar Khayyam | Omar Khayyam (trans. FitzGerald) | 11th12th c. | 176 |
| Poems and Songs | Robert Burns | 17711796 | 563 |
| Lyrical Ballads | William Wordsworth | 1798 | 51 |
| Complete Poetical Works | Percy Bysshe Shelley | 18101822 | 1049 |
All texts are sourced from [Project Gutenberg](https://www.gutenberg.org/) and are in the public domain. All texts are sourced from [Project Gutenberg](https://www.gutenberg.org/) and are in the public domain.
## Web UI
The `hicalsoft.github.io/` directory contains a standalone web interface:
- **[/letters](https://hicalsoft.com/letters)** — Browse love letters by author, with random letter button
- **[/poetry](https://hicalsoft.com/poetry)** — Browse poetry by poet, with random poem button
## Requirements ## Requirements
Python 3.10+ (no external dependencies). Python 3.10+ (no external dependencies).

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[
{
"title": "Introduction",
"body": "Piping down the valleys wild,\n Piping songs of pleasant glee,\nOn a cloud I saw a child,\n And he laughing said to me:\n\nPipe a song about a Lamb!\n So I piped with merry cheer.\nPiper, pipe that song again.\n So I piped: he wept to hear.\n\nDrop thy pipe, thy happy pipe;\n Sing thy songs of happy cheer!\nSo I sung the same again,\n While he wept with joy to hear.\n\nPiper, sit thee down and write\n In a book, that all may read.\nSo he vanished from my sight;\n And I plucked a hollow reed,\n\nAnd I made a rural pen,\n And I stained the water clear,\nAnd I wrote my happy songs\n Every child may joy to hear.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Shepherd",
"body": "How sweet is the shepherds sweet lot!\nFrom the morn to the evening he strays;\nHe shall follow his sheep all the day,\nAnd his tongue shall be fillèd with praise.\n\nFor he hears the lambs innocent call,\nAnd he hears the ewes tender reply;\nHe is watchful while they are in peace,\nFor they know when their shepherd is nigh.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Echoing Green",
"body": "The sun does arise,\nAnd make happy the skies;\nThe merry bells ring\nTo welcome the Spring;\nThe skylark and thrush,\nThe birds of the bush,\nSing louder around\nTo the bells cheerful sound;\nWhile our sports shall be seen\nOn the echoing green.\n\nOld John, with white hair,\nDoes laugh away care,\nSitting under the oak,\nAmong the old folk.\nThey laugh at our play,\nAnd soon they all say,\nSuch, such were the joys\nWhen we all—girls and boys—\nIn our youth-time were seen\nOn the echoing green.\n\nTill the little ones, weary,\nNo more can be merry:\nThe sun does descend,\nAnd our sports have an end.\nRound the laps of their mothers\nMany sisters and brothers,\nLike birds in their nest,\nAre ready for rest,\nAnd sport no more seen\nOn the darkening green.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Lamb",
"body": "Little lamb, who made thee?\nDoes thou know who made thee,\nGave thee life, and bid thee feed\nBy the stream and oer the mead;\nGave thee clothing of delight,\nSoftest clothing, woolly, bright;\nGave thee such a tender voice,\nMaking all the vales rejoice?\n Little lamb, who made thee?\n Does thou know who made thee?\n\nLittle lamb, Ill tell thee;\nLittle lamb, Ill tell thee:\nHe is callèd by thy name,\nFor He calls Himself a Lamb.\nHe is meek, and He is mild,\nHe became a little child.\nI a child, and thou a lamb,\nWe are callèd by His name.\n Little lamb, God bless thee!\n Little lamb, God bless thee!",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Little Black Boy",
"body": "My mother bore me in the southern wild,\n And I am black, but O my soul is white!\nWhite as an angel is the English child,\n But I am black, as if bereaved of light.\n\nMy mother taught me underneath a tree,\n And, sitting down before the heat of day,\nShe took me on her lap and kissèd me,\n And, pointing to the East, began to say:\n\nLook on the rising sun: there God does live,\n And gives His light, and gives His heat away,\nAnd flowers and trees and beasts and men receive\n Comfort in morning, joy in the noonday.\n\nAnd we are put on earth a little space,\n That we may learn to bear the beams of love;\nAnd these black bodies and this sunburnt face\n Are but a cloud, and like a shady grove.\n\nFor, when our souls have learned the heat to bear,\n The cloud will vanish, we shall hear His voice,\nSaying, “Come out from the grove, my love and care,\n And round my golden tent like lambs rejoice.”’\n\nThus did my mother say, and kissed me,\n And thus I say to little English boy.\nWhen I from black, and he from white cloud free,\n And round the tent of God like lambs we joy,\n\nIll shade him from the heat till he can bear\n To lean in joy upon our Fathers knee;\nAnd then Ill stand and stroke his silver hair,\n And be like him, and he will then love me.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Blossom",
"body": "Merry, merry sparrow!\nUnder leaves so green\n A happy blossom\nSees you, swift as arrow,\nSeek your cradle narrow,\n Near my bosom.\n\nPretty, pretty robin!\nUnder leaves so green\n A happy blossom\nHears you sobbing, sobbing,\nPretty, pretty robin,\n Near my bosom.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Chimney-Sweeper",
"body": "When my mother died I was very young,\nAnd my father sold me while yet my tongue\nCould scarcely cry Weep! weep! weep! weep!\nSo your chimneys I sweep, and in soot I sleep.\n\nTheres little Tom Dacre, who cried when his head,\nThat curled like a lambs back, was shaved; so I said,\nHush, Tom! never mind it, for, when your heads bare,\nYou know that the soot cannot spoil your white hair.\n\nAnd so he was quiet, and that very night,\nAs Tom was a-sleeping, he had such a sight!—\nThat thousands of sweepers, Dick, Joe, Ned, and Jack,\nWere all of them locked up in coffins of black.\n\nAnd by came an angel, who had a bright key,\nAnd he opened the coffins, and set them all free;\nThen down a green plain, leaping, laughing, they run\nAnd wash in a river, and shine in the sun.\n\nThen naked and white, all their bags left behind,\nThey rise upon clouds, and sport in the wind:\nAnd the angel told Tom, if hed be a good boy,\nHed have God for his father, and never want joy.\n\nAnd so Tom awoke, and we rose in the dark,\nAnd got with our bags and our brushes to work.\nThough the morning was cold, Tom was happy and warm:\nSo, if all do their duty, they need not fear harm.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Little Boy Lost",
"body": "Father, father, where are you going?\n O do not walk so fast!\nSpeak, father, speak to your little boy,\n Or else I shall be lost.\n\nThe night was dark, no father was there,\n The child was wet with dew;\nThe mire was deep, and the child did weep,\n And away the vapour flew.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Little Boy Found",
"body": "The little boy lost in the lonely fen,\n Led by the wandering light,\nBegan to cry, but God, ever nigh,\n Appeared like his father, in white.\n\nHe kissed the child, and by the hand led,\n And to his mother brought,\nWho in sorrow pale, through the lonely dale,\n Her little boy weeping sought.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "Laughing Song",
"body": "When the green woods laugh with the voice of joy,\nAnd the dimpling stream runs laughing by;\nWhen the air does laugh with our merry wit,\nAnd the green hill laughs with the noise of it;\n\nWhen the meadows laugh with lively green,\nAnd the grasshopper laughs in the merry scene;\nWhen Mary and Susan and Emily\nWith their sweet round mouths sing Ha ha he!\n\nWhen the painted birds laugh in the shade,\nWhere our table with cherries and nuts is spread:\nCome live, and be merry, and join with me,\nTo sing the sweet chorus of Ha ha he!",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "A Cradle Song",
"body": "Sweet dreams, form a shade\nOer my lovely infants head!\nSweet dreams of pleasant streams\nBy happy, silent, moony beams!\n\nSweet Sleep, with soft down\nWeave thy brows an infant crown!\nSweet Sleep, angel mild,\nHover oer my happy child!\n\nSweet smiles, in the night\nHover over my delight!\nSweet smiles, mothers smiles,\nAll the livelong night beguiles.\n\nSweet moans, dovelike sighs,\nChase not slumber from thy eyes!\nSweet moans, sweeter smiles,\nAll the dovelike moans beguiles.\n\nSleep, sleep, happy child!\nAll creation slept and smiled.\nSleep, sleep, happy sleep,\nWhile oer thee thy mother weep.\n\nSweet babe, in thy face\nHoly image I can trace;\nSweet babe, once like thee\nThy Maker lay, and wept for me:\n\nWept for me, for thee, for all,\nWhen He was an infant small.\nThou His image ever see,\nHeavenly face that smiles on thee!\n\nSmiles on thee, on me, on all,\nWho became an infant small;\nInfant smiles are His own smiles;\nHeaven and earth to peace beguiles.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Divine Image",
"body": "To Mercy, Pity, Peace, and Love,\n All pray in their distress,\nAnd to these virtues of delight\n Return their thankfulness.\n\nFor Mercy, Pity, Peace, and Love,\n Is God our Father dear;\nAnd Mercy, Pity, Peace, and Love,\n Is man, His child and care.\n\nFor Mercy has a human heart;\n Pity, a human face;\nAnd Love, the human form divine:\n And Peace the human dress.\n\nThen every man, of every clime,\n That prays in his distress,\nPrays to the human form divine:\n Love, Mercy, Pity, Peace.\n\nAnd all must love the human form,\n In heathen, Turk, or Jew.\nWhere Mercy, Love, and Pity dwell,\n There God is dwelling too.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "Holy Thursday",
"body": "Twas on a holy Thursday, their innocent faces clean,\nThe children walking two and two, in red, and blue, and green:\nGrey-headed beadles walked before, with wands as white as snow,\nTill into the high dome of Pauls they like Thames waters flow.\n\nO what a multitude they seemed, these flowers of London town!\nSeated in companies they sit, with radiance all their own.\nThe hum of multitudes was there, but multitudes of lambs,\nThousands of little boys and girls raising their innocent hands.\n\nNow like a mighty wind they raise to heaven the voice of song,\nOr like harmonious thunderings the seats of heaven among:\nBeneath them sit the aged men, wise guardians of the poor.\nThen cherish pity, lest you drive an angel from your door.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "Night",
"body": "The sun descending in the West,\nThe evening star does shine;\nThe birds are silent in their nest,\nAnd I must seek for mine.\nThe moon, like a flower\nIn heavens high bower,\nWith silent delight,\nSits and smiles on the night.\n\nFarewell, green fields and happy groves,\nWhere flocks have took delight,\nWhere lambs have nibbled, silent moves\nThe feet of angels bright;\nUnseen, they pour blessing,\nAnd joy without ceasing,\nOn each bud and blossom,\nAnd each sleeping bosom.\n\nThey look in every thoughtless nest\nWhere birds are covered warm;\nThey visit caves of every beast,\nTo keep them all from harm:\nIf they see any weeping\nThat should have been sleeping,\nThey pour sleep on their head,\nAnd sit down by their bed.\n\nWhen wolves and tigers howl for prey,\nThey pitying stand and weep;\nSeeking to drive their thirst away,\nAnd keep them from the sheep.\nBut, if they rush dreadful,\nThe angels, most heedful,\nReceive each mild spirit,\nNew worlds to inherit.\n\nAnd there the lions ruddy eyes\nShall flow with tears of gold:\nAnd pitying the tender cries,\nAnd walking round the fold:\nSaying: Wrath by His meekness,\nAnd, by His health, sickness,\nIs driven away\nFrom our immortal day.\n\nAnd now beside thee, bleating lamb,\nI can lie down and sleep,\nOr think on Him who bore thy name,\nGraze after thee, and weep.\nFor, washed in lifes river,\nMy bright mane for ever\nShall shine like the gold,\nAs I guard oer the fold.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "Spring",
"body": " Sound the flute!\n Now its mute!\n Birds delight,\n Day and night,\n Nightingale,\n In the dale,\n Lark in sky,—\n Merrily,\nMerrily, merrily to welcome in the year.\n\n Little boy,\n Full of joy;\n Little girl,\n Sweet and small;\n Cock does crow,\n So do you;\n Merry voice,\n Infant noise;\nMerrily, merrily to welcome in the year.\n\n Little lamb,\n Here I am;\n Come and lick\n My white neck;\n Let me pull\n Your soft wool;\n Let me kiss\n Your soft face;\nMerrily, merrily we welcome in the year.\n\n\n\n\nNURSES SONG\n\n\nWhen voices of children are heard on the green,\n And laughing is heard on the hill,\nMy heart is at rest within my breast,\n And everything else is still.\n\nThen come home, my children, the sun is gone down,\n And the dews of night arise;\nCome, come, leave off play, and let us away,\n Till the morning appears in the skies.\n\nNo, no, let us play, for it is yet day,\n And we cannot go to sleep;\nBesides, in the sky the little birds fly,\n And the hills are all covered with sheep.\n\nWell, well, go and play till the light fades away,\n And then go home to bed.\nThe little ones leaped, and shouted, and laughed,\n And all the hills echoèd.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "Infant Joy",
"body": "I have no name;\nI am but two days old.\nWhat shall I call thee?\nI happy am,\nJoy is my name.\nSweet joy befall thee!\n\nPretty joy!\nSweet joy, but two days old.\nSweet joy I call thee:\nThou dost smile,\nI sing the while;\nSweet joy befall thee!",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "A Dream",
"body": "Once a dream did weave a shade\nOer my angel-guarded bed,\nThat an emmet lost its way\nWhere on grass methought I lay.\n\nTroubled, wildered, and forlorn,\nDark, benighted, travel-worn,\nOver many a tangled spray,\nAll heart-broke, I heard her say:\n\nO my children! do they cry,\nDo they hear their father sigh?\nNow they look abroad to see,\nNow return and weep for me.\n\nPitying, I dropped a tear:\nBut I saw a glow-worm near,\nWho replied, What wailing wight\nCalls the watchman of the night?\n\nI am set to light the ground,\nWhile the beetle goes his round:\nFollow now the beetles hum;\nLittle wanderer, hie thee home!\n\n\n\n\nON ANOTHERS SORROW\n\n\nCan I see anothers woe,\nAnd not be in sorrow too?\nCan I see anothers grief,\nAnd not seek for kind relief?\n\nCan I see a falling tear,\nAnd not feel my sorrows share?\nCan a father see his child\nWeep, nor be with sorrow filled?\n\nCan a mother sit and hear\nAn infant groan, an infant fear?\nNo, no! never can it be!\nNever, never can it be!\n\nAnd can He who smiles on all\nHear the wren with sorrows small,\nHear the small birds grief and care,\nHear the woes that infants bear—\n\nAnd not sit beside the nest,\nPouring pity in their breast,\nAnd not sit the cradle near,\nWeeping tear on infants tear?\n\nAnd not sit both night and day,\nWiping all our tears away?\nO no! never can it be!\nNever, never can it be!\n\nHe doth give His joy to all:\nHe becomes an infant small,\nHe becomes a man of woe,\nHe doth feel the sorrow too.\n\nThink not thou canst sigh a sigh,\nAnd thy Maker is not by:\nThink not thou canst weep a tear,\nAnd thy Maker is not near.\n\nO He gives to us His joy,\nThat our grief He may destroy:\nTill our grief is fled and gone\nHe doth sit by us and moan.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "Introduction",
"body": " Hear the voice of the Bard,\nWho present, past, and future, sees;\n Whose ears have heard\n The Holy Word\nThat walked among the ancient trees;\n\n Calling the lapséd soul,\nAnd weeping in the evening dew;\n That might control\n The starry pole,\nAnd fallen, fallen light renew!\n\n O Earth, O Earth, return!\nArise from out the dewy grass!\n Night is worn,\n And the morn\nRises from the slumbrous mass.\n\n Turn away no more;\nWhy wilt thou turn away?\n The starry floor,\n The watery shore,\nIs given thee till the break of day.\n\n\n\n\nEARTHS ANSWER\n\n\n Earth raised up her head\nFrom the darkness dread and drear,\n Her light fled,\n Stony, dread,\nAnd her locks covered with grey despair.\n\n Prisoned on watery shore,\nStarry jealousy does keep my den\n Cold and hoar;\n Weeping oer,\nI hear the father of the ancient men.\n\n Selfish father of men!\nCruel, jealous, selfish fear!\n Can delight,\n Chained in night,\nThe virgins of youth and morning bear.\n\n Does spring hide its joy,\nWhen buds and blossoms grow?\n Does the sower\n Sow by night,\nOr the ploughman in darkness plough?\n\n Break this heavy chain,\nThat does freeze my bones around!\n Selfish, vain,\n Eternal bane,\nThat free love with bondage bound.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Clod And The Pebble",
"body": "Love seeketh not itself to please,\n Nor for itself hath any care,\nBut for another gives its ease,\n And builds a heaven in hells despair.\n\nSo sung a little clod of clay,\n Trodden with the cattles feet,\nBut a pebble of the brook\n Warbled out these metres meet:\n\nLove seeketh only Self to please,\n To bind another to its delight,\nJoys in anothers loss of ease,\n And builds a hell in heavens despite.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "Holy Thursday",
"body": "Is this a holy thing to see\n In a rich and fruitful land,—\nBabes reduced to misery,\n Fed with cold and usurous hand?\n\nIs that trembling cry a song?\n Can it be a song of joy?\nAnd so many children poor?\n It is a land of poverty!\n\nAnd their sun does never shine,\n And their fields are bleak and bare,\nAnd their ways are filled with thorns,\n It is eternal winter there.\n\nFor whereer the sun does shine,\n And whereer the rain does fall,\nBabe can never hunger there,\n Nor poverty the mind appal.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Little Girl Lost",
"body": "In futurity\nI prophesy\nThat the earth from sleep\n(Grave the sentence deep)\n\nShall arise, and seek\nFor her Maker meek;\nAnd the desert wild\nBecome a garden mild.\n\nIn the southern clime,\nWhere the summers prime\nNever fades away,\nLovely Lyca lay.\n\nSeven summers old\nLovely Lyca told.\nShe had wandered long,\nHearing wild birds song.\n\nSweet sleep, come to me,\nUnderneath this tree;\nDo father, mother, weep?\nWhere can Lyca sleep?\n\nLost in desert wild\nIs your little child.\nHow can Lyca sleep\nIf her mother weep?\n\nIf her heart does ache,\nThen let Lyca wake;\nIf my mother sleep,\nLyca shall not weep.\n\nFrowning, frowning night,\nOer this desert bright\nLet thy moon arise,\nWhile I close my eyes.\n\nSleeping Lyca lay,\nWhile the beasts of prey,\nCome from caverns deep,\nViewed the maid asleep.\n\nThe kingly lion stood,\nAnd the virgin viewed:\nThen he gambolled round\nOer the hallowed ground.\n\nLeopards, tigers, play\nRound her as she lay;\nWhile the lion old\nBowed his mane of gold,\n\nAnd her bosom lick,\nAnd upon her neck,\nFrom his eyes of flame,\nRuby tears there came;\n\nWhile the lioness\nLoosed her slender dress,\nAnd naked they conveyed\nTo caves the sleeping maid.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Little Girl Found",
"body": "All the night in woe\nLycas parents go\nOver valleys deep,\nWhile the deserts weep.\n\nTired and woe-begone,\nHoarse with making moan,\nArm in arm, seven days\nThey traced the desert ways.\n\nSeven nights they sleep\nAmong shadows deep,\nAnd dream they see their child\nStarved in desert wild.\n\nPale through pathless ways\nThe fancied image strays,\nFamished, weeping, weak,\nWith hollow piteous shriek.\n\nRising from unrest,\nThe trembling woman pressed\nWith feet of weary woe;\nShe could no further go.\n\nIn his arms he bore\nHer, armed with sorrow sore;\nTill before their way\nA couching lion lay.\n\nTurning back was vain:\nSoon his heavy mane\nBore them to the ground,\nThen he stalked around,\n\nSmelling to his prey;\nBut their fears allay\nWhen he licks their hands,\nAnd silent by them stands.\n\nThey look upon his eyes,\nFilled with deep surprise;\nAnd wondering behold\nA spirit armed in gold.\n\nOn his head a crown,\nOn his shoulders down\nFlowed his golden hair.\nGone was all their care.\n\nFollow me, he said;\nWeep not for the maid;\nIn my palace deep,\nLyca lies asleep.\n\nThen they followèd\nWhere the vision led,\nAnd saw their sleeping child\nAmong tigers wild.\n\nTo this day they dwell\nIn a lonely dell,\nNor fear the wolvish howl\nNor the lions growl.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Chimney-Sweeper",
"body": "A little black thing among the snow,\n Crying! weep! weep! in notes of woe!\nWhere are thy father and mother? Say!’—\n They are both gone up to the church to pray.\n\nBecause I was happy upon the heath,\n And smiled among the winters snow,\nThey clothed me in the clothes of death,\n And taught me to sing the notes of woe.\n\nAnd because I am happy and dance and sing,\n They think they have done me no injury,\nAnd are gone to praise God and His priest and king,\n Who made up a heaven of our misery.\n\n\n\n\nNURSES SONG\n\n\nWhen the voices of children are heard on the green,\n And whisperings are in the dale,\nThe days of my youth rise fresh in my mind,\n My face turns green and pale.\n\nThen come home, my children, the sun is gone down,\n And the dews of night arise;\nYour spring and your day are wasted in play,\n And your winter and night in disguise.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Sick Rose",
"body": "O rose, thou art sick!\n The invisible worm,\nThat flies in the night,\n In the howling storm,\n\nHas found out thy bed\n Of crimson joy,\nAnd his dark secret love\n Does thy life destroy.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Fly",
"body": "Little Fly,\n Thy summers play\nMy thoughtless hand\n Has brushed away.\n\nAm not I\n A fly like thee?\nOr art not thou\n A man like me?\n\nFor I dance,\n And drink, and sing,\nTill some blind hand\n Shall brush my wing.\n\nIf thought is life\n And strength and breath,\nAnd the want\n Of thought is death;\n\nThen am I\n A happy fly.\nIf I live,\n Or if I die.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Angel",
"body": "I dreamt a dream! What can it mean?\nAnd that I was a maiden Queen\nGuarded by an Angel mild:\nWitless woe was neer beguiled!\n\nAnd I wept both night and day,\nAnd he wiped my tears away;\nAnd I wept both day and night,\nAnd hid from him my hearts delight.\n\nSo he took his wings, and fled;\nThen the morn blushed rosy red.\nI dried my tears, and armed my fears\nWith ten thousand shields and spears.\n\nSoon my Angel came again;\nI was armed, he came in vain;\nFor the time of youth was fled,\nAnd grey hairs were on my head.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Tiger",
"body": "Tiger, tiger, burning bright\nIn the forests of the night,\nWhat immortal hand or eye\nCould frame thy fearful symmetry?\n\nIn what distant deeps or skies\nBurnt the fire of thine eyes?\nOn what wings dare he aspire?\nWhat the hand dare seize the fire?\n\nAnd what shoulder and what art\nCould twist the sinews of thy heart?\nAnd, when thy heart began to beat,\nWhat dread hand and what dread feet?\n\nWhat the hammer? what the chain?\nIn what furnace was thy brain?\nWhat the anvil? what dread grasp\nDare its deadly terrors clasp?\n\nWhen the stars threw down their spears,\nAnd watered heaven with their tears,\nDid He smile His work to see?\nDid He who made the lamb make thee?\n\nTiger, tiger, burning bright\nIn the forests of the night,\nWhat immortal hand or eye\nDare frame thy fearful symmetry?",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "My Pretty Rose Tree",
"body": "A flower was offered to me,\n Such a flower as May never bore;\nBut I said, Ive a pretty rose tree,\n And I passed the sweet flower oer.\n\nThen I went to my pretty rose tree,\n To tend her by day and by night;\nBut my rose turned away with jealousy,\n And her thorns were my only delight.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "Ah, Sunflower",
"body": "Ah, sunflower, weary of time,\n Who countest the steps of the sun;\nSeeking after that sweet golden clime\n Where the travellers journey is done;\n\nWhere the Youth pined away with desire,\n And the pale virgin shrouded in snow,\nArise from their graves, and aspire\n Where my Sunflower wishes to go!",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Lily",
"body": "The modest Rose puts forth a thorn,\nThe humble sheep a threatning horn:\nWhile the Lily white shall in love delight,\nNor a thorn nor a threat stain her beauty bright.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Garden Of Love",
"body": "I went to the Garden of Love,\n And saw what I never had seen;\nA Chapel was built in the midst,\n Where I used to play on the green.\n\nAnd the gates of this Chapel were shut,\n And Thou shalt not writ over the door;\nSo I turned to the Garden of Love\n That so many sweet flowers bore.\n\nAnd I saw it was filled with graves,\n And tombstones where flowers should be;\nAnd priests in black gowns were walking their rounds,\n And binding with briars my joys and desires.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Little Vagabond",
"body": "Dear mother, dear mother, the Church is cold;\nBut the Alehouse is healthy, and pleasant, and warm.\nBesides, I can tell where I am used well;\nSuch usage in heaven will never do well.\n\nBut, if at the Church they would give us some ale,\nAnd a pleasant fire our souls to regale,\nWed sing and wed pray all the livelong day,\nNor ever once wish from the Church to stray.\n\nThen the Parson might preach, and drink, and sing,\nAnd wed be as happy as birds in the spring;\nAnd modest Dame Lurch, who is always at church,\nWould not have bandy children, nor fasting, nor birch.\n\nAnd God, like a father, rejoicing to see\nHis children as pleasant and happy as He,\nWould have no more quarrel with the Devil or the barrel,\nBut kiss him, and give him both drink and apparel.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "London",
"body": "I wander through each chartered street,\n Near where the chartered Thames does flow,\nA mark in every face I meet,\n Marks of weakness, marks of woe.\n\nIn every cry of every man,\n In every infants cry of fear,\nIn every voice, in every ban,\n The mind-forged manacles I hear:\n\nHow the chimney-sweepers cry\n Every blackening church appals,\nAnd the hapless soldiers sigh\n Runs in blood down palace-walls.\n\nBut most, through midnight streets I hear\n How the youthful harlots curse\nBlasts the new-born infants tear,\n And blights with plagues the marriage hearse.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Human Abstract",
"body": "Pity would be no more\nIf we did not make somebody poor,\nAnd Mercy no more could be\nIf all were as happy as we.\n\nAnd mutual fear brings Peace,\nTill the selfish loves increase;\nThen Cruelty knits a snare,\nAnd spreads his baits with care.\n\nHe sits down with holy fears,\nAnd waters the ground with tears;\nThen Humility takes its root\nUnderneath his foot.\n\nSoon spreads the dismal shade\nOf Mystery over his head,\nAnd the caterpillar and fly\nFeed on the Mystery.\n\nAnd it bears the fruit of Deceit,\nRuddy and sweet to eat,\nAnd the raven his nest has made\nIn its thickest shade.\n\nThe gods of the earth and sea\nSought through nature to find this tree,\nBut their search was all in vain:\nThere grows one in the human Brain.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "Infant Sorrow",
"body": "My mother groaned, my father wept:\nInto the dangerous world I leapt,\nHelpless, naked, piping loud,\nLike a fiend hid in a cloud.\n\nStruggling in my fathers hands,\nStriving against my swaddling bands,\nBound and weary, I thought best\nTo sulk upon my mothers breast.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "A Poison Tree",
"body": "I was angry with my friend:\nI told my wrath, my wrath did end.\nI was angry with my foe:\nI told it not, my wrath did grow.\n\nAnd I watered it in fears\nNight and morning with my tears,\nAnd I sunnèd it with smiles\nAnd with soft deceitful wiles.\n\nAnd it grew both day and night,\nTill it bore an apple bright,\nAnd my foe beheld it shine,\nAnd he knew that it was mine,—\n\nAnd into my garden stole\nWhen the night had veiled the pole;\nIn the morning, glad, I see\nMy foe outstretched beneath the tree.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "A Little Boy Lost",
"body": "Nought loves another as itself,\n Nor venerates another so,\nNor is it possible to thought\n A greater than itself to know.\n\nAnd, father, how can I love you\n Or any of my brothers more?\nI love you like the little bird\n That picks up crumbs around the door.\n\nThe Priest sat by and heard the child;\n In trembling zeal he seized his hair,\nHe led him by his little coat,\n And all admired his priestly care.\n\nAnd standing on the altar high,\n Lo, what a fiend is here! said he:\nOne who sets reason up for judge\n Of our most holy mystery.\n\nThe weeping child could not be heard,\n The weeping parents wept in vain:\nThey stripped him to his little shirt,\n And bound him in an iron chain,\n\nAnd burned him in a holy place\n Where many had been burned before;\nThe weeping parents wept in vain.\n Are such things done on Albions shore?",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "A Little Girl Lost",
"body": "Children of the future age,\nReading this indignant page,\nKnow that in a former time\nLove, sweet love, was thought a crime.\n\nIn the age of gold,\nFree from winters cold,\nYouth and maiden bright,\nTo the holy light,\nNaked in the sunny beams delight.\n\nOnce a youthful pair,\nFilled with softest care,\nMet in garden bright\nWhere the holy light\nHad just removed the curtains of the night.\n\nThere, in rising day,\nOn the grass they play;\nParents were afar,\nStrangers came not near,\nAnd the maiden soon forgot her fear.\n\nTired with kisses sweet,\nThey agree to meet\nWhen the silent sleep\nWaves oer heavens deep,\nAnd the weary tired wanderers weep.\n\nTo her father white\nCame the maiden bright;\nBut his loving look,\nLike the holy book,\nAll her tender limbs with terror shook.\n\nOna, pale and weak,\nTo thy father speak!\nO the trembling fear!\nO the dismal care\nThat shakes the blossoms of my hoary hair!",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "A Divine Image",
"body": "Cruelty has a human heart,\n And Jealousy a human face;\nTerror the human form divine,\n And Secrecy the human dress.\n\nThe human dress is forgèd iron,\n The human form a fiery forge,\nThe human face a furnace sealed,\n The human heart its hungry gorge.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "A Cradle Song",
"body": "Sleep, sleep, beauty bright,\nDreaming in the joys of night;\nSleep, sleep; in thy sleep\nLittle sorrows sit and weep.\n\nSweet babe, in thy face\nSoft desires I can trace,\nSecret joys and secret smiles,\nLittle pretty infant wiles.\n\nAs thy softest limbs I feel,\nSmiles as of the morning steal\nOer thy cheek, and oer thy breast\nWhere thy little heart doth rest.\n\nO the cunning wiles that creep\nIn thy little heart asleep!\nWhen thy little heart doth wake,\nThen the dreadful light shall break.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "To Tirzah",
"body": "Whateer is born of mortal birth\nMust be consumèd with the earth,\nTo rise from generation free:\nThen what have I to do with thee?\n\nThe sexes sprung from shame and pride,\nBlowed in the morn, in evening died;\nBut mercy changed death into sleep;\nThe sexes rose to work and weep.\n\nThou, mother of my mortal part,\nWith cruelty didst mould my heart,\nAnd with false self-deceiving tears\nDidst blind my nostrils, eyes, and ears,\n\nDidst close my tongue in senseless clay,\nAnd me to mortal life betray.\nThe death of Jesus set me free:\nThen what have I to do with thee?",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Schoolboy",
"body": "I love to rise in a summer morn,\n When the birds sing on every tree;\nThe distant huntsman winds his horn,\n And the skylark sings with me:\n O what sweet company!\n\nBut to go to school in a summer morn,—\n O it drives all joy away!\nUnder a cruel eye outworn,\n The little ones spend the day\n In sighing and dismay.\n\nAh then at times I drooping sit,\n And spend many an anxious hour;\nNor in my book can I take delight,\n Nor sit in learnings bower,\n Worn through with the dreary shower.\n\nHow can the bird that is born for joy\n Sit in a cage and sing?\nHow can a child, when fears annoy,\n But droop his tender wing,\n And forget his youthful spring!\n\nO father and mother if buds are nipped,\n And blossoms blown away;\nAnd if the tender plants are stripped\n Of their joy in the springing day,\n By sorrow and cares dismay,—\n\nHow shall the summer arise in joy,\n Or the summer fruits appear?\nOr how shall we gather what griefs destroy,\n Or bless the mellowing year,\n When the blasts of winter appear?",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
},
{
"title": "The Voice Of The Ancient Bard",
"body": "Youth of delight! come hither\nAnd see the opening morn,\nImage of Truth new-born.\nDoubt is fled, and clouds of reason,\nDark disputes and artful teazing.\nFolly is an endless maze;\nTangled roots perplex her ways;\nHow many have fallen there!\nThey stumble all night over bones of the dead;\nAnd feel—they know not what but care;\nAnd wish to lead others, when they should be led.",
"author": "William Blake",
"source": "Songs of Innocence and of Experience",
"period": "17891794"
}
]

@ -0,0 +1,310 @@
[
{
"title": "Sonnet I",
"body": " I thought once how Theocritus had sung\n Of the sweet years, the dear and wished-for years,\n Who each one in a gracious hand appears\n To bear a gift for mortals, old or young:\n And, as I mused it in his antique tongue,\n I saw, in gradual vision through my tears,\n The sweet, sad years, the melancholy years,\n Those of my own life, who by turns had flung\n A shadow across me. Straightway I was ware,\n So weeping, how a mystic Shape did move\n Behind me, and drew me backward by the hair;\n And a voice said in mastery, while I strove,—\n “Guess now who holds thee!”—“Death,” I said, But, there,\n The silver answer rang, “Not Death, but Love.”",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet II",
"body": " But only three in all Gods universe\n Have heard this word thou hast said,—Himself, beside\n Thee speaking, and me listening! and replied\n One of us . . . that was God, . . . and laid the curse\n So darkly on my eyelids, as to amerce\n My sight from seeing thee,—that if I had died,\n The death-weights, placed there, would have signified\n Less absolute exclusion. “Nay” is worse\n From God than from all others, O my friend!\n Men could not part us with their worldly jars,\n Nor the seas change us, nor the tempests bend;\n Our hands would touch for all the mountain-bars:\n And, heaven being rolled between us at the end,\n We should but vow the faster for the stars.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet III",
"body": " Unlike are we, unlike, O princely Heart!\n Unlike our uses and our destinies.\n Our ministering two angels look surprise\n On one another, as they strike athwart\n Their wings in passing. Thou, bethink thee, art\n A guest for queens to social pageantries,\n With gages from a hundred brighter eyes\n Than tears even can make mine, to play thy part\n Of chief musician. What hast thou to do\n With looking from the lattice-lights at me,\n A poor, tired, wandering singer, singing through\n The dark, and leaning up a cypress tree?\n The chrism is on thine head,—on mine, the dew,—\n And Death must dig the level where these agree.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet IV",
"body": " Thou hast thy calling to some palace-floor,\n Most gracious singer of high poems! where\n The dancers will break footing, from the care\n Of watching up thy pregnant lips for more.\n And dost thou lift this houses latch too poor\n For hand of thine? and canst thou think and bear\n To let thy music drop here unaware\n In folds of golden fulness at my door?\n Look up and see the casement broken in,\n The bats and owlets builders in the roof!\n My cricket chirps against thy mandolin.\n Hush, call no echo up in further proof\n Of desolation! theres a voice within\n That weeps . . . as thou must sing . . . alone, aloof.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet V",
"body": " I lift my heavy heart up solemnly,\n As once Electra her sepulchral urn,\n And, looking in thine eyes, I over-turn\n The ashes at thy feet. Behold and see\n What a great heap of grief lay hid in me,\n And how the red wild sparkles dimly burn\n Through the ashen greyness. If thy foot in scorn\n Could tread them out to darkness utterly,\n It might be well perhaps. But if instead\n Thou wait beside me for the wind to blow\n The grey dust up, . . . those laurels on thine head,\n O my Belovëd, will not shield thee so,\n That none of all the fires shall scorch and shred\n The hair beneath. Stand further off then! go!",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet VI",
"body": " Go from me. Yet I feel that I shall stand\n Henceforward in thy shadow. Nevermore\n Alone upon the threshold of my door\n Of individual life, I shall command\n The uses of my soul, nor lift my hand\n Serenely in the sunshine as before,\n Without the sense of that which I forbore—\n Thy touch upon the palm. The widest land\n Doom takes to part us, leaves thy heart in mine\n With pulses that beat double. What I do\n And what I dream include thee, as the wine\n Must taste of its own grapes. And when I sue\n God for myself, He hears that name of thine,\n And sees within my eyes the tears of two.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet VII",
"body": " The face of all the world is changed, I think,\n Since first I heard the footsteps of thy soul\n Move still, oh, still, beside me, as they stole\n Betwixt me and the dreadful outer brink\n Of obvious death, where I, who thought to sink,\n Was caught up into love, and taught the whole\n Of life in a new rhythm. The cup of dole\n God gave for baptism, I am fain to drink,\n And praise its sweetness, Sweet, with thee anear.\n The names of country, heaven, are changed away\n For where thou art or shalt be, there or here;\n And this . . . this lute and song . . . loved yesterday,\n (The singing angels know) are only dear\n Because thy name moves right in what they say.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet VIII",
"body": " What can I give thee back, O liberal\n And princely giver, who hast brought the gold\n And purple of thine heart, unstained, untold,\n And laid them on the outside of the wall\n For such as I to take or leave withal,\n In unexpected largesse? am I cold,\n Ungrateful, that for these most manifold\n High gifts, I render nothing back at all?\n Not so; not cold,—but very poor instead.\n Ask God who knows. For frequent tears have run\n The colours from my life, and left so dead\n And pale a stuff, it were not fitly done\n To give the same as pillow to thy head.\n Go farther! let it serve to trample on.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet IX",
"body": " Can it be right to give what I can give?\n To let thee sit beneath the fall of tears\n As salt as mine, and hear the sighing years\n Re-sighing on my lips renunciative\n Through those infrequent smiles which fail to live\n For all thy adjurations? O my fears,\n That this can scarce be right! We are not peers\n So to be lovers; and I own, and grieve,\n That givers of such gifts as mine are, must\n Be counted with the ungenerous. Out, alas!\n I will not soil thy purple with my dust,\n Nor breathe my poison on thy Venice-glass,\n Nor give thee any love—which were unjust.\n Beloved, I only love thee! let it pass.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet X",
"body": " Yet, love, mere love, is beautiful indeed\n And worthy of acceptation. Fire is bright,\n Let temple burn, or flax; an equal light\n Leaps in the flame from cedar-plank or weed:\n And love is fire. And when I say at need\n I love thee . . . mark! . . . I love thee—in thy sight\n I stand transfigured, glorified aright,\n With conscience of the new rays that proceed\n Out of my face toward thine. Theres nothing low\n In love, when love the lowest: meanest creatures\n Who love God, God accepts while loving so.\n And what I feel, across the inferior features\n Of what I am, doth flash itself, and show\n How that great work of Love enhances Natures.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XI",
"body": " And therefore if to love can be desert,\n I am not all unworthy. Cheeks as pale\n As these you see, and trembling knees that fail\n To bear the burden of a heavy heart,—\n This weary minstrel-life that once was girt\n To climb Aornus, and can scarce avail\n To pipe now gainst the valley nightingale\n A melancholy music,—why advert\n To these things? O Belovëd, it is plain\n I am not of thy worth nor for thy place!\n And yet, because I love thee, I obtain\n From that same love this vindicating grace\n To live on still in love, and yet in vain,—\n To bless thee, yet renounce thee to thy face.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XII",
"body": " Indeed this very love which is my boast,\n And which, when rising up from breast to brow,\n Doth crown me with a ruby large enow\n To draw mens eyes and prove the inner cost,—\n This love even, all my worth, to the uttermost,\n I should not love withal, unless that thou\n Hadst set me an example, shown me how,\n When first thine earnest eyes with mine were crossed,\n And love called love. And thus, I cannot speak\n Of love even, as a good thing of my own:\n Thy soul hath snatched up mine all faint and weak,\n And placed it by thee on a golden throne,—\n And that I love (O soul, we must be meek!)\n Is by thee only, whom I love alone.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XIII",
"body": " And wilt thou have me fashion into speech\n The love I bear thee, finding words enough,\n And hold the torch out, while the winds are rough,\n Between our faces, to cast light on each?—\n I drop it at thy feet. I cannot teach\n My hand to hold my spirits so far off\n From myself—me—that I should bring thee proof\n In words, of love hid in me out of reach.\n Nay, let the silence of my womanhood\n Commend my woman-love to thy belief,—\n Seeing that I stand unwon, however wooed,\n And rend the garment of my life, in brief,\n By a most dauntless, voiceless fortitude,\n Lest one touch of this heart convey its grief.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XIV",
"body": " If thou must love me, let it be for nought\n Except for loves sake only. Do not say\n “I love her for her smile—her look—her way\n Of speaking gently,—for a trick of thought\n That falls in well with mine, and certes brought\n A sense of pleasant ease on such a day”—\n For these things in themselves, Belovëd, may\n Be changed, or change for thee,—and love, so wrought,\n May be unwrought so. Neither love me for\n Thine own dear pitys wiping my cheeks dry,—\n A creature might forget to weep, who bore\n Thy comfort long, and lose thy love thereby!\n But love me for loves sake, that evermore\n Thou mayst love on, through loves eternity.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XV",
"body": " Accuse me not, beseech thee, that I wear\n Too calm and sad a face in front of thine;\n For we two look two ways, and cannot shine\n With the same sunlight on our brow and hair.\n On me thou lookest with no doubting care,\n As on a bee shut in a crystalline;\n Since sorrow hath shut me safe in loves divine,\n And to spread wing and fly in the outer air\n Were most impossible failure, if I strove\n To fail so. But I look on thee—on thee—\n Beholding, besides love, the end of love,\n Hearing oblivion beyond memory;\n As one who sits and gazes from above,\n Over the rivers to the bitter sea.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XVI",
"body": " And yet, because thou overcomest so,\n Because thou art more noble and like a king,\n Thou canst prevail against my fears and fling\n Thy purple round me, till my heart shall grow\n Too close against thine heart henceforth to know\n How it shook when alone. Why, conquering\n May prove as lordly and complete a thing\n In lifting upward, as in crushing low!\n And as a vanquished soldier yields his sword\n To one who lifts him from the bloody earth,\n Even so, Belovëd, I at last record,\n Here ends my strife. If thou invite me forth,\n I rise above abasement at the word.\n Make thy love larger to enlarge my worth!",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XVII",
"body": " My poet, thou canst touch on all the notes\n God set between His After and Before,\n And strike up and strike off the general roar\n Of the rushing worlds a melody that floats\n In a serene air purely. Antidotes\n Of medicated music, answering for\n Mankinds forlornest uses, thou canst pour\n From thence into their ears. Gods will devotes\n Thine to such ends, and mine to wait on thine.\n How, Dearest, wilt thou have me for most use?\n A hope, to sing by gladly? or a fine\n Sad memory, with thy songs to interfuse?\n A shade, in which to sing—of palm or pine?\n A grave, on which to rest from singing? Choose.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XVIII",
"body": " I never gave a lock of hair away\n To a man, Dearest, except this to thee,\n Which now upon my fingers thoughtfully\n I ring out to the full brown length and say\n “Take it.” My day of youth went yesterday;\n My hair no longer bounds to my foots glee,\n Nor plant I it from rose- or myrtle-tree,\n As girls do, any more: it only may\n Now shade on two pale cheeks the mark of tears,\n Taught drooping from the head that hangs aside\n Through sorrows trick. I thought the funeral-shears\n Would take this first, but Love is justified,—\n Take it thou,—finding pure, from all those years,\n The kiss my mother left here when she died.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XIX",
"body": " The souls Rialto hath its merchandize;\n I barter curl for curl upon that mart,\n And from my poets forehead to my heart\n Receive this lock which outweighs argosies,—\n As purply black, as erst to Pindars eyes\n The dim purpureal tresses gloomed athwart\n The nine white Muse-brows. For this counterpart, . . .\n The bay crowns shade, Belovëd, I surmise,\n Still lingers on thy curl, it is so black!\n Thus, with a fillet of smooth-kissing breath,\n I tie the shadows safe from gliding back,\n And lay the gift where nothing hindereth;\n Here on my heart, as on thy brow, to lack\n No natural heat till mine grows cold in death.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XX",
"body": " Belovëd, my Belovëd, when I think\n That thou wast in the world a year ago,\n What time I sat alone here in the snow\n And saw no footprint, heard the silence sink\n No moment at thy voice, but, link by link,\n Went counting all my chains as if that so\n They never could fall off at any blow\n Struck by thy possible hand,—why, thus I drink\n Of lifes great cup of wonder! Wonderful,\n Never to feel thee thrill the day or night\n With personal act or speech,—nor ever cull\n Some prescience of thee with the blossoms white\n Thou sawest growing! Atheists are as dull,\n Who cannot guess Gods presence out of sight.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXI",
"body": " Say over again, and yet once over again,\n That thou dost love me. Though the word repeated\n Should seem a “cuckoo-song,” as thou dost treat it,\n Remember, never to the hill or plain,\n Valley and wood, without her cuckoo-strain\n Comes the fresh Spring in all her green completed.\n Belovëd, I, amid the darkness greeted\n By a doubtful spirit-voice, in that doubts pain\n Cry, “Speak once more—thou lovest!” Who can fear\n Too many stars, though each in heaven shall roll,\n Too many flowers, though each shall crown the year?\n Say thou dost love me, love me, love me—toll\n The silver iterance!—only minding, Dear,\n To love me also in silence with thy soul.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXII",
"body": " When our two souls stand up erect and strong,\n Face to face, silent, drawing nigh and nigher,\n Until the lengthening wings break into fire\n At either curvëd point,—what bitter wrong\n Can the earth do to us, that we should not long\n Be here contented? Think! In mounting higher,\n The angels would press on us and aspire\n To drop some golden orb of perfect song\n Into our deep, dear silence. Let us stay\n Rather on earth, Belovëd,—where the unfit\n Contrarious moods of men recoil away\n And isolate pure spirits, and permit\n A place to stand and love in for a day,\n With darkness and the death-hour rounding it.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXIII",
"body": " Is it indeed so? If I lay here dead,\n Wouldst thou miss any life in losing mine?\n And would the sun for thee more coldly shine\n Because of grave-damps falling round my head?\n I marvelled, my Belovëd, when I read\n Thy thought so in the letter. I am thine—\n But . . . so much to thee? Can I pour thy wine\n While my hands tremble? Then my soul, instead\n Of dreams of death, resumes lifes lower range.\n Then, love me, Love! look on me—breathe on me!\n As brighter ladies do not count it strange,\n For love, to give up acres and degree,\n I yield the grave for thy sake, and exchange\n My near sweet view of heaven, for earth with thee!",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXIV",
"body": " Let the worlds sharpness like a clasping knife\n Shut in upon itself and do no harm\n In this close hand of Love, now soft and warm,\n And let us hear no sound of human strife\n After the click of the shutting. Life to life—\n I lean upon thee, Dear, without alarm,\n And feel as safe as guarded by a charm\n Against the stab of worldlings, who if rife\n Are weak to injure. Very whitely still\n The lilies of our lives may reassure\n Their blossoms from their roots, accessible\n Alone to heavenly dews that drop not fewer;\n Growing straight, out of mans reach, on the hill.\n God only, who made us rich, can make us poor.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXV",
"body": " A heavy heart, Belovëd, have I borne\n From year to year until I saw thy face,\n And sorrow after sorrow took the place\n Of all those natural joys as lightly worn\n As the stringed pearls, each lifted in its turn\n By a beating heart at dance-time. Hopes apace\n Were changed to long despairs, till Gods own grace\n Could scarcely lift above the world forlorn\n My heavy heart. Then thou didst bid me bring\n And let it drop adown thy calmly great\n Deep being! Fast it sinketh, as a thing\n Which its own nature does precipitate,\n While thine doth close above it, mediating\n Betwixt the stars and the unaccomplished fate.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXVI",
"body": " I lived with visions for my company\n Instead of men and women, years ago,\n And found them gentle mates, nor thought to know\n A sweeter music than they played to me.\n But soon their trailing purple was not free\n Of this worlds dust, their lutes did silent grow,\n And I myself grew faint and blind below\n Their vanishing eyes. Then thou didst come—to be,\n Belovëd, what they seemed. Their shining fronts,\n Their songs, their splendours, (better, yet the same,\n As river-water hallowed into fonts)\n Met in thee, and from out thee overcame\n My soul with satisfaction of all wants:\n Because Gods gifts put mans best dreams to shame.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXVII",
"body": " My own Belovëd, who hast lifted me\n From this drear flat of earth where I was thrown,\n And, in betwixt the languid ringlets, blown\n A life-breath, till the forehead hopefully\n Shines out again, as all the angels see,\n Before thy saving kiss! My own, my own,\n Who camest to me when the world was gone,\n And I who looked for only God, found thee!\n I find thee; I am safe, and strong, and glad.\n As one who stands in dewless asphodel,\n Looks backward on the tedious time he had\n In the upper life,—so I, with bosom-swell,\n Make witness, here, between the good and bad,\n That Love, as strong as Death, retrieves as well.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXVIII",
"body": " My letters! all dead paper, mute and white!\n And yet they seem alive and quivering\n Against my tremulous hands which loose the string\n And let them drop down on my knee to-night.\n This said,—he wished to have me in his sight\n Once, as a friend: this fixed a day in spring\n To come and touch my hand . . . a simple thing,\n Yet I wept for it!—this, . . . the papers light . . .\n Said, Dear I love thee; and I sank and quailed\n As if Gods future thundered on my past.\n This said, I am thine—and so its ink has paled\n With lying at my heart that beat too fast.\n And this . . . O Love, thy words have ill availed\n If, what this said, I dared repeat at last!",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXIX",
"body": " I think of thee!—my thoughts do twine and bud\n About thee, as wild vines, about a tree,\n Put out broad leaves, and soon theres nought to see\n Except the straggling green which hides the wood.\n Yet, O my palm-tree, be it understood\n I will not have my thoughts instead of thee\n Who art dearer, better! Rather, instantly\n Renew thy presence; as a strong tree should,\n Rustle thy boughs and set thy trunk all bare,\n And let these bands of greenery which insphere thee,\n Drop heavily down,—burst, shattered everywhere!\n Because, in this deep joy to see and hear thee\n And breathe within thy shadow a new air,\n I do not think of thee—I am too near thee.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXX",
"body": " I see thine image through my tears to-night,\n And yet to-day I saw thee smiling. How\n Refer the cause?—Belovëd, is it thou\n Or I, who makes me sad? The acolyte\n Amid the chanted joy and thankful rite\n May so fall flat, with pale insensate brow,\n On the altar-stair. I hear thy voice and vow,\n Perplexed, uncertain, since thou art out of sight,\n As he, in his swooning ears, the choirs amen.\n Belovëd, dost thou love? or did I see all\n The glory as I dreamed, and fainted when\n Too vehement light dilated my ideal,\n For my souls eyes? Will that light come again,\n As now these tears come—falling hot and real?",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXXI",
"body": " Thou comest! all is said without a word.\n I sit beneath thy looks, as children do\n In the noon-sun, with souls that tremble through\n Their happy eyelids from an unaverred\n Yet prodigal inward joy. Behold, I erred\n In that last doubt! and yet I cannot rue\n The sin most, but the occasion—that we two\n Should for a moment stand unministered\n By a mutual presence. Ah, keep near and close,\n Thou dove-like help! and when my fears would rise,\n With thy broad heart serenely interpose:\n Brood down with thy divine sufficiencies\n These thoughts which tremble when bereft of those,\n Like callow birds left desert to the skies.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXXII",
"body": " The first time that the sun rose on thine oath\n To love me, I looked forward to the moon\n To slacken all those bonds which seemed too soon\n And quickly tied to make a lasting troth.\n Quick-loving hearts, I thought, may quickly loathe;\n And, looking on myself, I seemed not one\n For such mans love!—more like an out-of-tune\n Worn viol, a good singer would be wroth\n To spoil his song with, and which, snatched in haste,\n Is laid down at the first ill-sounding note.\n I did not wrong myself so, but I placed\n A wrong on thee. For perfect strains may float\n Neath master-hands, from instruments defaced,—\n And great souls, at one stroke, may do and doat.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXXIII",
"body": " Yes, call me by my pet-name! let me hear\n The name I used to run at, when a child,\n From innocent play, and leave the cowslips plied,\n To glance up in some face that proved me dear\n With the look of its eyes. I miss the clear\n Fond voices which, being drawn and reconciled\n Into the music of Heavens undefiled,\n Call me no longer. Silence on the bier,\n While I call God—call God!—so let thy mouth\n Be heir to those who are now exanimate.\n Gather the north flowers to complete the south,\n And catch the early love up in the late.\n Yes, call me by that name,—and I, in truth,\n With the same heart, will answer and not wait.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXXIV",
"body": " With the same heart, I said, Ill answer thee\n As those, when thou shalt call me by my name—\n Lo, the vain promise! is the same, the same,\n Perplexed and ruffled by lifes strategy?\n When called before, I told how hastily\n I dropped my flowers or brake off from a game.\n To run and answer with the smile that came\n At play last moment, and went on with me\n Through my obedience. When I answer now,\n I drop a grave thought, break from solitude;\n Yet still my heart goes to thee—ponder how—\n Not as to a single good, but all my good!\n Lay thy hand on it, best one, and allow\n That no childs foot could run fast as this blood.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXXV",
"body": " If I leave all for thee, wilt thou exchange\n And be all to me? Shall I never miss\n Home-talk and blessing and the common kiss\n That comes to each in turn, nor count it strange,\n When I look up, to drop on a new range\n Of walls and floors, another home than this?\n Nay, wilt thou fill that place by me which is\n Filled by dead eyes too tender to know change\n Thats hardest. If to conquer love, has tried,\n To conquer grief, tries more, as all things prove,\n For grief indeed is love and grief beside.\n Alas, I have grieved so I am hard to love.\n Yet love me—wilt thou? Open thy heart wide,\n And fold within, the wet wings of thy dove.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXXVI",
"body": " When we met first and loved, I did not build\n Upon the event with marble. Could it mean\n To last, a love set pendulous between\n Sorrow and sorrow? Nay, I rather thrilled,\n Distrusting every light that seemed to gild\n The onward path, and feared to overlean\n A finger even. And, though I have grown serene\n And strong since then, I think that God has willed\n A still renewable fear . . . O love, O troth . . .\n Lest these enclaspëd hands should never hold,\n This mutual kiss drop down between us both\n As an unowned thing, once the lips being cold.\n And Love, be false! if he, to keep one oath,\n Must lose one joy, by his lifes star foretold.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXXVII",
"body": " Pardon, oh, pardon, that my soul should make\n Of all that strong divineness which I know\n For thine and thee, an image only so\n Formed of the sand, and fit to shift and break.\n It is that distant years which did not take\n Thy sovranty, recoiling with a blow,\n Have forced my swimming brain to undergo\n Their doubt and dread, and blindly to forsake\n Thy purity of likeness and distort\n Thy worthiest love to a worthless counterfeit.\n As if a shipwrecked Pagan, safe in port,\n His guardian sea-god to commemorate,\n Should set a sculptured porpoise, gills a-snort\n And vibrant tail, within the temple-gate.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXXVIII",
"body": " First time he kissed me, he but only kissed\n The fingers of this hand wherewith I write;\n And ever since, it grew more clean and white.\n Slow to world-greetings, quick with its “O, list,”\n When the angels speak. A ring of amethyst\n I could not wear here, plainer to my sight,\n Than that first kiss. The second passed in height\n The first, and sought the forehead, and half missed,\n Half falling on the hair. O beyond meed!\n That was the chrism of love, which loves own crown,\n With sanctifying sweetness, did precede\n The third upon my lips was folded down\n In perfect, purple state; since when, indeed,\n I have been proud and said, “My love, my own.”",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XXXIX",
"body": " Because thou hast the power and ownst the grace\n To look through and behind this mask of me,\n (Against which, years have beat thus blanchingly,\n With their rains,) and behold my souls true face,\n The dim and weary witness of lifes race,—\n Because thou hast the faith and love to see,\n Through that same souls distracting lethargy,\n The patient angel waiting for a place\n In the new Heavens,—because nor sin nor woe,\n Nor Gods infliction, nor deaths neighbourhood,\n Nor all which others viewing, turn to go,\n Nor all which makes me tired of all, self-viewed,—\n Nothing repels thee, . . . Dearest, teach me so\n To pour out gratitude, as thou dost, good!",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XL",
"body": " Oh, yes! they love through all this world of ours!\n I will not gainsay love, called love forsooth:\n I have heard love talked in my early youth,\n And since, not so long back but that the flowers\n Then gathered, smell still. Mussulmans and Giaours\n Throw kerchiefs at a smile, and have no ruth\n For any weeping. Polyphemes white tooth\n Slips on the nut if, after frequent showers,\n The shell is over-smooth,—and not so much\n Will turn the thing called love, aside to hate\n Or else to oblivion. But thou art not such\n A lover, my Belovëd! thou canst wait\n Through sorrow and sickness, to bring souls to touch,\n And think it soon when others cry “Too late.”",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XLI",
"body": " I thank all who have loved me in their hearts,\n With thanks and love from mine. Deep thanks to all\n Who paused a little near the prison-wall\n To hear my music in its louder parts\n Ere they went onward, each one to the marts\n Or temples occupation, beyond call.\n But thou, who, in my voices sink and fall\n When the sob took it, thy divinest Arts\n Own instrument didst drop down at thy foot\n To harken what I said between my tears, . . .\n Instruct me how to thank thee! Oh, to shoot\n My souls full meaning into future years,\n That they should lend it utterance, and salute\n Love that endures, from life that disappears!",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XLII",
"body": " My future will not copy fair my past—\n I wrote that once; and thinking at my side\n My ministering life-angel justified\n The word by his appealing look upcast\n To the white throne of God, I turned at last,\n And there, instead, saw thee, not unallied\n To angels in thy soul! Then I, long tried\n By natural ills, received the comfort fast,\n While budding, at thy sight, my pilgrims staff\n Gave out green leaves with morning dews impearled.\n I seek no copy now of lifes first half:\n Leave here the pages with long musing curled,\n And write me new my futures epigraph,\n New angel mine, unhoped for in the world!",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XLIII",
"body": " How do I love thee? Let me count the ways.\n I love thee to the depth and breadth and height\n My soul can reach, when feeling out of sight\n For the ends of Being and ideal Grace.\n I love thee to the level of everydays\n Most quiet need, by sun and candlelight.\n I love thee freely, as men strive for Right;\n I love thee purely, as they turn from Praise.\n I love thee with the passion put to use\n In my old griefs, and with my childhoods faith.\n I love thee with a love I seemed to lose\n With my lost saints,—I love thee with the breath,\n Smiles, tears, of all my life!—and, if God choose,\n I shall but love thee better after death.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
},
{
"title": "Sonnet XLIV",
"body": " Belovëd, thou hast brought me many flowers\n Plucked in the garden, all the summer through,\n And winter, and it seemed as if they grew\n In this close room, nor missed the sun and showers.\n So, in the like name of that love of ours,\n Take back these thoughts which here unfolded too,\n And which on warm and cold days I withdrew\n From my hearts ground. Indeed, those beds and bowers\n Be overgrown with bitter weeds and rue,\n And wait thy weeding; yet heres eglantine,\n Heres ivy!—take them, as I used to do\n Thy flowers, and keep them where they shall not pine.\n Instruct thine eyes to keep their colours true,\n And tell thy soul, their roots are left in mine.",
"author": "Elizabeth Barrett Browning",
"source": "Sonnets from the Portuguese",
"period": "1850"
}
]

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